In the 1970s, New Topographics photographers responded to romanticized landscapes by adopting an objective style. They focused on human-altered environments like suburban sprawl, industrial structures, and commercial developments. Notable photographers like Robert Adams, Lewis Baltz, and Stephen Shore employed formal composition, capturing ordinary scenes with precision. This approach shifted perspective, highlighting human impact on landscapes and emphasizing overlooked aspects of urban terrain. This book echoes that spirit capturing everyday images using a classic camera and nostalgic 35mm cinema film.